56 years ago this month, a little known African-American soprano from New York stepped in at the last minute to replace superstar soprano Birgit Nilsson as Verdi’s Aida at the Metropolitan Opera House.
Her performance received rave reviews with The New York Times praising Arroyo as "one of the most gorgeous voices before the public today.” The MET’s General Director Rudolf Bing immediately offered her a contract to join the roster of the company's principal sopranos where she remained over the next 20 years. Her final MET performance was as Aida in 1986.
Arroyo made her debut with Michigan Opera Theatre in 1979 as Leonora in Verdi’s Il Trovatore and as Turandot in 1986.
Listen to Martina Arroyo’s moving Libera me Domine from the Verdi Requiem-Paris 1969.
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Mary, Auburn Hills – MOT REACHED ANOTHER MILESTONE IN ITS EXTRAORDINARY HISTORY WITH THIS CAVALLARIA RUSTICANA AT THE MEADOWBROOK PAVILION. A too long absent fan base emerged resilient and in full to celebrate with the BATHS OF CARACALLA voices in a matchless display of musical artistry…
We thought we’d look back 15 months to our last staged in-door opera in March of 2020, a double-bill of Puccini’s Gianni Schicchi and Buoso’s Ghost by American composer Michael Ching.
April is National Letter Writing Month. Though Twitter, Instagram, Facebook and email are the popular ways to communicate today, opera often goes “Old School” with the ancient relic of the Handwritten Letter.